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Fantastic Mr. Fox

Fantastic Mr. Fox is one of my favorite films of the year. It is based on the book by the same name by Roald Dahl. The story is about Mr. Fox, voice by George Clooney, who is forced to quite his risky job as being a thief at the request of his wife, voiced by Merly Streep. Years later Mr. Fox has a more boring job of writing a news paper column and now have a son, voiced by Jason Schawrtzman. His family moves to a brand new house and with three neighboring farms. This inspires Mr. Fox to start up thieving again. He slowly gets more people involved in his plan and starts putting his family and friends in danger when the three farmers try to take revenge. Including one friend, voiced by Bill Murray.

The film has a unique charm to it. I always found myself smiling while watching it. There is many funny and quirky parts, including a punch line at the end of almost every scene. A constant joke was how human-like the animals acted, but randomly and suddenly they would turn back into the animals they are and act out their animal instinct. It had a lot of adult themes and ideas that would go over children head. Nothing is inappropriate, so I would have to say that this film is made for adults, but can easily be watched by children.

Fantastic Mr. Fox’s visuals and animation where very original. The director Wes Anderson helped make this film stand out from all other animated films. Animator Henry Selick actually worked on part of the film before he moved on to work on his own project, Coraline. Since Wes Anderson is not an animator, but a live action director, he treated the film as if it was just another live action film, resulting in the film’s unique style. Wes Anderson is already a stylized director but this new thought towards animation makes it stand out from other animated films and even his own filmography. He uses lots of close up on the stop motion characters, which means that you can see all the hair on the character’s body swirl around because of people touching it during the animation process. Which is very uncommon in stop motion animated films. Another idea Wes Anderson brought to the production was to not record in a sound stage like nearly every animated film, and even live action films method of rerecording dialog. Instead he would record the voices and performance of the actors outside and actually have the actors digging into the ground if the animated characters were doing just the same. This added a warmness to the voices. All these new perspective of how to make animation did not detracts from the film, but actually added to its charm.

I enjoyed Fantastic Mr. Fox so much that I feel it could have been included in the top 10 Best Picture nominees. Maybe that is just me wishing for more animated films being nominated for Best Picture. Even though, I am very happy that it did get nominated for Best Animated Feature.

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Coraline

Coraline is one of the most beautifully animated films ever made. It truly shows that stop motion animation is not dead, and that it should not be overlooked. Coraline is based on the novel by the same name by Neil Gaiman. It is about a little girl named Coraline, voiced by Dakota Fanning. Coraline and her parents, voiced by John Hodgmen and Teri Hatcher, move to a new house. Coraline finds this new place boring, even though she meets crazy neighbors. She soon finds a small door in her house that leads her into an alternate version of her house. Everything is more magical, wonderful and fun there. There are versions of her parents and neighbors, who she finds more fun and interesting. Even though this new place seems fun on the out side, Coraline is smart and quickly realizes that this world is much darker and twisted than it may appear.

Half way through the film is when it gets a little stranger. It gets very video game like at two different points. First the the second darker would actually brakes apart and reforms again, as if she was inside of a computer, Matrix or Tron style. Right after this she is instructed that she needs to collect three different objects. Which feels very much like any modern platform adventure game. The story progressively gets darker and scarier. Coraline is rated PG and is made to be a children film. But the story gets so dark and twisted that it is easily one of the scariest PG films I have ever seen.

I was lucky enough to watch the film in Stereoscopic 3D. This added an extra element of depth and amazement to the already rich visuals of Coraline. The best part about the film is that there is always something new and interesting to look at. With the two different worlds, the scenery always switches up before it gets stale. The stop motion animation was so fluid and believable, in this area of computer generated images, I was constantly questioning if it had just been created in the computers. I know better to question it because I know that it is fact all classic stop motion. One very interesting aspect of Coraline’s production was they did use the help of computers, but not how Pixar uses those tools. The entire film of Coraline was created by stop motion animation puppets in camera. The interesting thing was how they actually created the puppets. With the help of 3D programs, they created character and objects on the computer. Once completed, they actually used a 3D printer to print out the finished parts. Then they would have the characters and object in the real world to animate in camera, the classical stop motion way.

Coraline was directed by Henry Selick. The true man behind the animation of The Nightmare Before Christmas and James and the Giant Peach, not Tim Burton. This was Henry Selick’s first full stop motion animation feature film without Tim Burton, and in my opinion, hit a home run. I am looking forward to Heny Selick’s next project.

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82nd Academy Awards Retrospective

During the week running up to the Academy Awards, from all the buzz by everyone about The Hurt Locker, I predicted it to win Best Picture. Even though I still wanted Up In The Air to win because that was my personal favorite out of the 10 films. My original Academy Award for Best Picture of 2009 prediction…

All the Inglourious Basterds who were Blind Sided by Avatar’s visuals are not A Serious Man and should grow Up and get An Education or should be thrown into The Hurt Locker inside District 9 because the Best Picture of 2009 is still Up In The Air because the honor is very Precious: Based On The Novel Push by Sapphire.

As for the show itself, the 82nd Academy Awards honoring the best films of 2009 was held last night. Alec Baldwin and Steve Martin co-hosted the awards. The duo were mainly funny when they roasted celebrates at the start of the show. During last years 61st Primetime Emmy Awards, Tina Fey and Steve Martin presented an award and that is when I wished for the two to host together in the near future. I guess Tina Fey’s 30 Rock co-star Alec Baldwin is the next best choice. After hosting the last years Emmys and having a dance number on his own show, everyone’s favorite Neil Patrick Harris opened this years Academy Awards with a dance number.

As for the awards themselves, I am very happy of the winners. Everyone won an award that deserved it. Up won for Best Animated Feature. Christoph Waltz won Best Supporting Actor for Inglourious Basterds. Like I said in my review, his character is an instant classic and his evilness over shadowed even Hitler. Mo’Nique won for Precious: Based On the Novel Push By Sapphire. Simply one of the most stomach turning roles I have ever watched. Jeff Bridges won Best Actor for Crazy Heart. I have yet to view the film, but his praise for the role and his winning has inspired me to watch it. Sandra Bullock won Best Actress for The Blind Side. It was not my favorite film of the year, but she deserved the award. Kathryn Bigelow won Best Director for The Hurt Locker. And Finally, The Hurt Locker won Best Picture. I think it deserved to win even though it might have not been my top choice for Best Film of the year. I did think it was much stronger than the majority of the 10. I am happy that it beat out Avatar for both Best Director and for Best Picture. Many people thought Avatar might win Best Picture, which I felt was a much weaker film. Avatar ended up only winning three out of its nine nominations. Avatar won the awards it deserved because all three awards were specifically about its visuals, which is the only substance the film has.

I noticed many connections between the 10 Best Picture nominees.

There were many films about war.

• Avatar
• District 9
• The Hurt Locker
• Inglourious Basterds

Spoiler Alert, two different films featured the exact same twist ending.

• Up In The Air
• An Education

A rarity in Hollywood, there were films that focused on Jewish people.

• Inglourious Basterds
• An Education
• A Serious Man

Two films were about young poor African American children wishing for a better life.

• The Blind Side
• Precious: Based On The Novel Push By Sapphire.

There were many films that had elements about Education.

• Precious: Based On The Novel Push By Sapphire
• The Blind Side
• An Education, blatantly by the title alone.
• Up featured a boy who is trying to get an education by earning merit badges.

Avatar and District 9 were basically the exact same film, hitting many of the same beats.

• They both were about Man versus Aliens.
• The main character is a man that ends up turning into an alien.
• The main character as an alien turns on man because they become evil.
• The final climactic scene features the main character fighting the main villain, with one in a giant robot suit.

All 10 films feature a sex scene.

• Avatar featured the Na’vi aliens having weird pony tail sex.
• The Blind Side featured, well, Sandra Bollock’s character had kids somehow.
• District 9 featured a fake Photoshopped image of the main character have sex with an alien.
• An Education, Spoiler Alert, they have sex.
• The Hurt Locker did not have a sex scene, but featured Evangeline Lilly, who is sexy enough.
• Inglourious Baserds features a two second long sex scene.
• Precious, well, lets just say no one is looking forward to that scene again.
• A Serious Man, featured a dream sequence where the main character has sex.
• Up featured a sad miscarriage at the beginning. The baby had to be created somehow.
• Up In The Air featured Vera Farmiga’s naked body.

All 10 films dealt with xenophobia.

• Once Again Inglourious Basterds, An Education, A Serious Man, all focused on xenophobia of Jewish people.
• Avatar and District 9 focus on Man being xenophobia agents Aliens.
• The Blind Side and Precious had elements of xenophobia of African Americans.
• The Hurt Locker featured elements of xenopobia of Iraqis.
• Up In the Air featured only white people except for a single African American, who of course rapped.
• Up, all old people are of course racist, and it was clear that original the old man was upset that the little fat asian kid joined him on his adventure.

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Up In The Air

Almost anyone who has seen the film Up In The Air can easily tell you that it is one of the best film of 2009 and I agree wholeheartedly. Up In The Air is about Ryan Bingham, played by George Clooney. His job is to fly around the country and lays off employees for bosses who are unwilling to do so themselves.

His disconnected and hollow life might seem unappealing to the outside observer, but Ryan enjoys it and would not want his life any other way. Since he has no real life prospects to look forward to, the only thing he has, since he flies so often, is to save up his frequent flier miles to reach a goal of 10 million miles. This is his only goal in life and he would be the 7th person to ever achieve it. He also gets by with making small connections with random women in between flights. Ryan’s latest minor connection with another frequent flier is Alex Goran, played by Vera Farmiga. They enjoy each others company enough they start a casual relationship by comparing flight scheduling to see when they will meet up next.

Ryan’s own boss, played by Jason Batman, grounds Ryan and makes him return to the home office to find out that ironically his own job is threatened. A new young employee, Natalie Keener played by Anna Kendrick, has a new cost saving plan. Instead of spending a lot of money physically flying people around the country to perform a layoff, they now would layoff people over the internet with a video call. Ryan is upset by this because his shallow way of life and job, that he personally enjoys, is now disrupted. Ryan convinces his boss to allow him to take Natalie with him on his next round of layoffs the old fashion way. The rest of the film involves Ryan showing Natalie the old way versus the new way, and Ryan actually trying to make a real connection with another person for once, Alex.

Up In The Air is very well paced. Featuring many funny, dramatic and unique true life moments. The delivered and performance of the witty and smart dialog helped emphasis the great quality of the writing. After the first viewing of the film I thought it was the best film of the year. On a second viewing of the film, it reconfirmed that my choice was right. The film was actually better the second time around, which I did not think was possible. On the seconded viewing, now having the foresight of what will happen in the film, it was even more clear of how well the film was structured. The character’s actions and development are true to life but still very original.

Even though the film is based on a novel from almost 10 years ago, this film truly captures a unique perspective on this current financial economic crisis. It is a very realistic and relatable film. An interesting thing the director Jason Reitman did, was include real people that had actually been fired from their job, in the film. This is done three times through out the film. They basically slightly look past the camera and talk about the what it feels like to be fired. The footage was used by inter cutting between George Clooney and the person that had been fired, making it appear as if he had just fired them. Almost every word the real people said about losing their job was heartbreaking.

Out of the 10 Best Picture nominates, Up In The Air is my favorite. Hope it wins as many Academy Awards as possible. There are many other films that I hope win as many awards as possible, but then there are films that don’t need to win many.

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Up

Up is a fully computer animated feature film created by Pixar and Disney. It is an adventure film, and like all Pixar films, it is meant for the entire family. The story is about an old man named Carl Fredricksen, voiced by Ed Asner, trying to achieve his dream of one day going to South America. He attaches thousands of balloons to his house to make it fly. Mistakenly, a little boyscout named Russell tagged along. As the two adventure on, they meet new friends and enemies, that will help them and hinder them on their journey.

Up is a very emotional film. At the very beginning of the film it shows a montage of Carl Fredricksen and his wife’s life. There are two extremely sad moments in the montage that that will leave a grown man crying, myself included. Even multiple viewings still make me tear up a little. Then through out the rest of the film, Carl comes up agents struggles that are hindering him from achieving his dream. These moments are also very emotionally overbearing. Little Russell talks very briefly about his personal life, and it is very sad. The friends that Carl and Russell meet up with also have problems of being hunted and outcasted by others.

If I had to fault Up for anything, it would be the evil old man villain story line. I felt that was much weaker than the rest of the films plot. It was kind of weird to have an evil old man villain, contrasting with a emotional journey to achieve someones dreams. I understand that they needed a major conflict in the film, but I think they could have come up with something better. Maybe Pixar should have extended the journey itself and made it a bigger conflict than it already was.

Like all Pixar films, the art direction and animation was outstanding. They created a very interesting world that was familiar but different. The character designs are stylized enough that they will never look out of date. These things make this film an instant classic. It is sadly not my favorite film created by Pixar, but it is many unique qualities that separate it from the rest of the collection. I would have to place Up on the top half of my list of favorites out of the 10 best picture nominees. I am happy this film is nominated for best picture because it is very rare for animated features to be nominated. Up is only the second ever to be nominated, Beauty and the Beast being the first.

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A Serious Man

A Serious Man is about a Jewish American man in the 1960s as every aspect of his life falls apart. From the extremely large spoiler heavy things, to the completely minor things, like the TV going out, there is nothing in his life that is untouched. It even extends to his entire family, with all of them having parts of their own lives falling apart. My review is very spoiler heavy and becomes less of a review and basically becomes an analysis of the film because so many people did not understand it. Read on if you have already watched the film or do not mind spoilers.

The opening scene of A Serious Man features a seaming unrelated story on the surface to the main film, but it has a deeper purpose. It features an older Jewish family in the early 20th century in Europe. They never explicitly states that the main character in the film is related to them, but by the rules of Chekhov’s gun, not only are they related to the main character, but their own miss actions are the cause of the main characters misfortune. The opening scene could have three other major points; the idea of telling far fetch family stories, the old idea of curses, or just to show a traditional European Jewish family in the early 20th century. So maybe in the end, it was actually needed.

Spoiler Alert, here is where I get spoiler heavy with the plot and ending. The entire film loops around back to the exact spot where it started. Ignoring the opening scene, the very first scene we see, is the main character’s son trying to pay off the another kid at school. He loses the money and though out the entire film he cant pay the kid back. One of the son’s few problems he has to deal with. The son finally gets the money back and in the very last scene we see is him, in the exact same manor as that the very beginning of the film, the son gets ready to hand over to money to the other kid before the film cuts to the credits. The second scene we see is the main character at the doctors office. The second to last scene the doctor calls the main character to come into his office for bad news. So the film ends on the same note as in began.

A lot of peoples problems with the A Serious Man is that there is no resolution to anything but instead the film cuts to credits even before the final climax. At first I was shocked when I saw the credits rolling but then seconds later I realized everything and actually thought it was funny what the Coen Brothers did. Through out the entire film they blatantly stated multiple times the idea of no resolution to a story.

The opening scene had no resolution, unless the entire main part of the film is the actual resolution to the minor story.

The main character has multiple dreams but wakes up during the climax, so there is no resolution to any of them.

The main character is a professor of physic and explains two different ideas about quantum mechanics. Lucky for me, I have already read up on the basic ideas of quantum mechanics to under stand it when it comes up in media, such as this film. So I already knew both quantum mechanics ideas that were explained before viewing this film. The first, he explaining Schrödinger’s cat. A very deep and complex idea but to put it simply; It is a thought experiment of the idea of putting a cat in a box with acid and closing the box. Then you do not know if the cat is alive or dead, thus no resolution. The second theory he talks about was the Uncertainty Principle. The name alone tells you that you can not know everything because some things will be left uncertain.

Then the most blatant of them all. The main character is told a long pointless story that has no resolution. The main character even goes as far as to state that there was no resolution and that he wanted to know. The story teller response by saying who cares.

All these things add up and everyone should have not been surprised when the film had no resolution. First off the films resolutions could only go in two direction. Second it would actually be boring an unnecessary to see it. Either the doctor tells the main character he is fine, or there is seriously something wrong. The doctor called the main character over the phone, but forced him to come in, which means only one thing, there is something seriously wrong. As for the main character’s son, either him and everyone else dies from the tornado, or they survives it. Both parts we do not need to see. This is my third favorite film out of the 10 best nominated for best picture. I think very highly of this film and it is in third place only because I like the other two just slightly more.

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Precious: Based On The Novel Push By Sapphire

This is  easily one of the most depressing but powerful films of the year. Precious: Based On The Novel Push By Sapphire is set in 1987 and focuses on the troubled life of a young African American girl, Claireece Precious Jones, played by Gabourey Sidibe. Precious has many problems and issues in her life. I rather not spoil the problems because they are the basis for the entire film. Also, there are too many to even list, as more issues arrive and they build on top of each other through out the film.

One of the most prominent problems is Precious’ abusive mother, played by Mo’Nique. Her mother is one of the most evil characters in cinema history. The scariest part of her character is that, unlike many other cinema villains, there are people like her in the real world. The majority of the film is hard to watch, but all scenes featuring Mo’Nique are truly stomach turning. She was supposed to be a hated character so of course I was impressed by her acting. Along with the acting skills by the rest of the cast. Especially how they were all able to make themselves look almost unrecognizable.

During emotionally scarring moments in Precious’ life, she day dreams. In these dream sequences Precious always places herself in a different better life. I felt that they were completely disconnected from the rest of the film. I understand that she used the day dreams as an escape from something completely horrible but what was shown was a completely different tone from the rest of the film and I did not enjoy them and felt they were unnecessary.

I did feel sorry for Precious. Very sorry for her and for anyone who would have to experience only a single one of her issues in an entire life time. This is what makes the film so difficult but powerful to watch. Not only do you visually watch a character in a film experience so many problems, but you are also realize that there are many people in the real world with the same struggles in life.

I am becoming depressed by just writing the review and thinking back on the film. Since I had a hard time watching it, I have to put this film as my least favorite film out of the 10 Best Picture Nominees.

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Inglourious Basterds

In all of Quentin Tarantino’s films, he never likes to tell a story in a plain vanilla style. He normally likes to use a nonlinear story instead. This time around, Inglourious Basterds tells two different linear stories that start off disconnected and jump back and forth between each other, but then the two stories finally come together and dovetails nicely at the very end.

Inglourious Basterds is set in Nazi occupied France during World War II. The first story shown is about a young Jewish girl, played by Diane Kruger, who barley escapes capture by the main Nazi villain, played by Christoph Waltz. The second story is about Brad Pitt‘s character who has gathered a team of Jewish Americans to be his Inglorious Basterds. A team that runs around seeking revenge on Nazis by killing and branding as many as possible, with the ultimate goal to take down Adolf Hitler.

Quentin Tarantino likes to use a strong female lead, like in the films Jackie Brown and Kill Bill. Or instead of a central lead, he will have a strong all male team, like he did in Reservoir Dogs and Pulp Fiction. With Inglourious Basterds, he was able to have both a strong female story along with a story of a strong all male team. Quentin Tarantino also place his films in two distinct worlds. One is the real world where normal rules apply, featured in his films Reservoir Dogs and Pulp Fiction. In the other world he uses, which is set in the Hollywood movie world, most rules do not apply. Like Kill Bill, it is often bizarre and over the top. Inglourious Basterds walks a fine line between the two worlds. I feel that the story line about the Jewish girl is set in the real world, with long drawn out realistic moments. Where as the story about the Inglourious Basterds themselves, is set in the movie world, with over the top actions, comedy and even a narrated introduction of the team.

Quentin Tarantino is a filmmaker who truly loves films. He shows this off in Inglourious Basterds by having a premiere of a Nazi propaganda film play a central plot. Along with playing a main character in the main film, Eli Roth directed the propaganda film within the film. Like always Quentin Tarantino has to use many long drawn out slow scenes but Inglourious Basterds uses this the best out of all of his films. All of the scenes feature either a group of Jewish people hiding from Nazis, or a group of Jewish people undercover talking with Nazis. They have to be careful because any wrong move will reveal who they actually are or where they are hiding, thus the slow drawn out scene builds tension and work perfectly for this film.

All the characters in Inglourious Basterds are great and will go along well with the collection of already classic and unique characters Quentin Tarantino has created. Brat Pitt plays a guy who is too full of himself and is actually kind of dumb which leads himself into trouble. Eli Roth plays an absolutely crazy Nazi killer, which is very funny and I would like to see him act more, instead of write and direct. And Christoph Waltz plays an manipulative two faced Nazi who is always playing a game with someone. He is such a great character that he over shadows Adolf Hitler in this film. It was also great to see minor roles go to B. J. Novak from The Office and Samm Levine from Freaks And Geeks.

Out of the 10 films nominated for Best Picture of 2009, I will have to say Inglourious Basterds is my second favorite film of the year and possibly my second favorite Quentin Tarantino film. I am not a big fan of guns but I will be first in line when they start selling punch guns. Inglourious Basterds is a comedy and drama, set both in the real world and the Hollywood movie world, and features both a strong female storyline and a strong all male team storyline; Quentin Tarantino for the first time gets to have the best of both worlds.

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The Hurt Locker

The Hurt Locker is a well paced realistic look at a United States Army Explosive Ordnance Disposal team during the Iraq War. The film is about a highly skilled team leader of an Explosive Ordnance Disposal unit play by Jeremy Renner. He rubs the rest of his team the wrong way because he likes to do everything is own way, even if it is extremely dangerous. The film is about him connecting with his other teammates as they are put in many risky situations.

The pacing was the first thing I noticed about the film because it starts off with a bang. The film continues this trend by feeding the audience a healthy amount of downtime of the soldier just living, between all the thrilling action. The opening of the film also makes the statement that anything could happen at any time. So all the characters did feel like they were in danger all the time, unlike many other films where main characters are completely invincible. Along with that, the films visuals had a quality to them that made you feel as if you were watching a real life documentary, unlike most unrealistic Hollywood movies. The near documentary style helped make the characters more real and thus allowing the audience to connection to the characters more and have them appear to be in greater peril. Even though the film is fictional, it puts perspective on the idea that this is a very real job that people actually risk their lives doing.

Overall the film is a very interesting look at the nearly unbelievable job and life of the main character, plus his wife is Evangeline Lilly. Out of the 10 Academy Award Nominated For Best Picture Of 2009, I would have to place it in the middle of the list of my favorite. Not only is the film up for Best Picture but for Best Director. The director is Kathryn Bigelow, who is the ex-wife of James Cameron. His film, Blue Aliens Are From Pandoria And Under Developed Characters Are From Earth, is also nominated for Best Picture and Best Director. This fact does not actually matter, but Hollywood’s second biggest export behind movies is celebrity gossip that does not effect anyone but the ones who are involved.

Update –
Congratulations to The Hurt Locker for winning Best Picture and Best Director among many other awards. It might have not been my favorite out of the ten Best Picture Nominees, but I completely understand why it won Best Picture and happy that it won because it beat out the majority of other films that did not even deserve the award.

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An Education

An Education is set in the 1960s and based on a true coming of age story of a young British girl who wants to fulfill her and her parent’s dream of attending a university. This dream is halted when she meets a much older man, played by Peter Sarsgaard. Her strict father, played by Alfred Molina, is unhappy with the idea that she would throw away her dream just so she can run off with an older man. Her father grudgingly agrees to allow her to date the other man as she tries to decide which directions she wants her life to go.

Halfway through the film I realized that it was based on the memoir of British journalist, Lynn Barber. This is when I presumed the outcome of the story since they don’t usually make a film about a real person who threw their life away and never achieved anything? I was unaware of who Lynn Barber was until I watched this film, but I assume she has more prestige in her native country.

Sadly, not only did I guess how the story would end, but I failed to connect with the characters in the film. I do understand why the film is gaining so much praise and honer due to acting and other elements, but I have to put it on the lower half of my list of favorite films out of the 10 nominated for Best Picture Of 2009.